November 10. Story of the Day: The Kitul Seeds

From Village Folk-Tales of Ceylon by H. Parker, volume 1, 26. You can read about Kitul (Kithul) plants at Wikipedia.

This is ATU 1430 Air Castles.

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THE KITUL SEEDS

A certain  man and his son, who was a grown-up youth, were walking along a path one day, when they came to a place where many seeds had fallen from a Kitul Palm tree.


The man drew his son's attention to them, and said, "We must gather these Kitul seeds, and plant them. When the plants from them grow up we shall have a large number of Kitul trees, from which we will take the toddy (juice), and make jaggery (a kind of brown sugar). By selling this we shall make money, which we will save till we shall have enough to buy a nice pony."

"Yes," said the boy, " and I will jump on his back like this, and ride him," and as he said it he gave a bound.

"What!" said the father, " would you break my pony's back like that!" and so saying, he gave him a blow on the side of the head which knocked him down senseless.


NOTES

E. G. Goonewardene, Esquite. North-western Province.

There is another story of this type in the tale No. 53, below.

In the Jataka story No. 4 (vol. i, p. 19), there is a tale of a young man who acquired a fortune and became Lord Treasurer by means of a dead mouse which he picked up and sold for a farthing, subsequently increasing his money by careful investments.

In the Katha Sarit Sagara, vol. i, p. 33, a nearly identical mouse story is given.

In Indian Fairy Tales (Stokes), p. 31, there is a different one. A man who was to receive four pice for carrying a jar of ghi, settled that he would buy a hen with the money, sell her eggs, get a goat, and then a cow, the milk of which he would sell. Afterwards he would marry a wife, and when they had children he would refuse some cooked rice which they would offer him. At this point he shook his head as he refused it, and the jar fell and was broken.

In Indian Nights' Entertainment (Swynnerton), p. 23, a man who was carrying a jar of butter on his head, and who expected to get three halfpence for the job, was going to buy a hen, then a sheep, a cow, a milch buffalo, and a mare, and then to get married. As he patted his future children on the head the pot fell and was broken.

In The Arabian Nights (Lady Burton's ed., i, p. 296) there is a well-known variant in which the fortune was to be made out of a tray of glass-ware.

November 9. Story of the Day: Bedbug.

This song comes from Negro Folk Rhymes by Thomas Talley.

It's a fun list of bugs, not exactly a chain tale, but definitely a fun list!

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BEDBUG

De June-bug's got de golden wing,
De Lightning-bug de flame;
De Bedbug's got no wing at all,
But he gits dar jes de same.

De Punkin-bug's got a punkin smell,
De Squash-bug smells de wust;
But de puffume of dat ole Bedbug,
It's enough to make you bust.

Wen dat Bedbug come down to my house,
I wants my walkin' cane.
Go git a pot an' scald 'im hot!
Good-by, Miss Lize Jane!



November 8. Story of the Day: The Cat and the Mouse

This story comes from Italian Popular Tales by Thomas Frederick Crane.

This is classified as ATU 2023. Little Ant Marries.

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THE CAT AND THE MOUSE




Once upon a time there was a cat that wanted to get married. So she stood on a corner, and every one who passed by said: "Little Cat, what's the matter?"

"What's the matter? I want to marry."

A dog passed by and said: "Do you want me?"

"When I see how you can sing."

The dog said: "Bow, wow!"

"Fy! What horrid singing! I don't want you."

A pig passed. "Do you want me, Little Cat?"

"When I see how you sing."

"Uh! uh!"

"Fy! You are horrid! Go away! I don't want you."

A calf passed and said: "Little Cat, will you take me?"

"When I see how you sing."

"Uhm!"

"Go away, for you are horrid! What do you want of me?"

A mouse passed by: "Little Cat, what are you doing?"

"I am going to get married."

"Will you take me?"

"And how can you sing?"

"Ziu, ziu!"

The cat accepted him, and said: "Let us go and be married, for you please me." So they were married.

One day the cat went to buy some pastry, and left the mouse at home. "Don't stir out, for I am going to buy some pastry."

The mouse went into the kitchen, saw the pot on the fire, and crept into it, for he wanted to eat the beans. But he did not; for the pot began to boil, and the mouse stayed there.

The cat came back and began to cry; but the mouse did not appear. So the cat put the pastry in the pot for dinner.

When it was ready, the cat ate and put some on a plate for the mouse, also. When she took out the pastry she saw the mouse stuck fast in it.

"Ah! my little mouse! ah! my little mouse!" so she went and sat behind the door, lamenting the mouse.

"What is the matter," said the door, "that you are scratching yourself so and tearing out your hair?"

The cat said: "What is the matter? My mouse is dead, and so I tear my hair."

The door answered: "And I, as door, will slam."

In the door was a window, which said: "What's the matter, door, that you are slamming?"

"The mouse died, the cat is tearing her hair, and I am slamming."

The window answered: "And I, as window, will open and shut."

In the window was a tree, that said: "Window, why do you open and shut?"

The window answered: "The mouse died, the cat tears her hair, the door slams, and I open and shut."

The tree answered and said: "And I, as tree, will throw myself down."

A bird happened to alight in this tree, and said: "Tree, why did you throw yourself down?"

 The tree replied: "The mouse died, the cat tears her hair, the door slams, the window opens and shuts, and I, as tree, threw myself down."

"And I, as bird, will pull out my feathers."

The bird went and alighted on a fountain, which said: "Bird, why are you plucking out your feathers so?"

The bird answered as the others had done, and the fountain said: "And I, as fountain, will dry up."

A cuckoo went to drink at the fountain, and asked: "Fountain, why have you dried up?"

And the fountain told him all that had happened. "And I, as cuckoo, will put my tail in the fire."

A monk of St. Nicholas passed by, and said: "Cuckoo, why is your tail in the fire?" When the monk heard the answer he said: "And I, as monk of St. Nicholas, will go and say mass without my robes."

Then came the queen, who, when she heard what the matter was, said: "And I, as queen, will go and sift the meal."

At last the king came by, and asked: "O Queen! why are you sifting the meal?"

When the queen had told him everything, he said: "And I, as king, am going to take my coffee."


NOTES

Sicily (Pitrè, No. 134).

And thus the story abruptly ends. In one of Pitrè's variants a sausage takes the place of the mouse; in another, a tortoise.

In the version from Pomigliano d'Arco (Imbriani, p. 244), an old woman, who finds a coin in sweeping a church, hesitates in regard to what she will spend it for, as in the stories above mentioned. She finally concludes to buy some paint for her face. After she has put it on, she stations herself at the window. A donkey passes, and asks what she wants. She answers that she wishes to marry. "Will you take me?" asks the donkey. "Let me hear what kind of a voice you have." "Ingò! Ingò! Ingò!" "Away! away! you would frighten me in the night!" Then a goat comes along, with the same result. Then follows a cat, and all the animals in the world; but none pleases the old woman. At last a little mouse passes by, and says: "Old Aunt, what are you doing there?" "I want to marry." "Will you take me?" "Let me hear your voice." "Zivuzì! zivuzì! zivuzì! zivuzì!" "Come up, for you please me." So the mouse went up to the old woman, and stayed with her. One day the old woman went to mass, and left the pot near the fire and told the mouse to be careful not to fall in it. When she came home she could not find the mouse anywhere. At last she went to take the soup from the pot, and there she found the mouse dead. She began to lament, and the ashes on the hearth began to scatter, and the window asked what was the matter. The ashes answered: "Ah! you know nothing. Friend Mouse is in the pot; the old woman is weeping, weeping; and I, the ashes, have wished to scatter." Then the window opens and shuts, the stairs fall down, the bird plucks out its feathers, the laurel shakes off its leaves, the servant girl who goes to the well breaks her pitcher, the mistress who was making bread throws the flour over the balcony, and finally the master comes home, and after he hears the story, exclaims: "And I, who am master, will break the bones of both of you!" And therewith he takes a stick and gives the servant and her mistress a sound beating. [In addition to the versions mentioned in the text, Imbriani (Pomiglianesi, pp. 250, 252) gives two versions from Lecco.]

There is a curious class of versions of the above story, in which the principal actors are a mouse and a sausage, reminding one of the Grimm story of "The Little Mouse, the Little Bird, and the Sausage." In the Venetian version (Bernoni, Punt. III. p. 81), the beginning is as follows: Once upon a time there was a mouse and a sausage, and one day the mouse said to the sausage: "I am going to mass; meanwhile get ready the dinner." "Yes, yes," answered the sausage. Then the mouse went to mass, and when he returned he found everything ready. The next day the sausage went to mass and the mouse prepared the dinner. He put on the pot, threw in the rice, and then went to taste if it was well salted. But he fell in and died. The sausage returned home, knocked at the door,—for there was no bell,—and no one answered. She called: "Mouse! mouse!" But he does not answer. Then the sausage went to a smith and had the door broken in, and called again: "Mouse, where are you?" And the mouse did not answer. "Now I will pour out the rice, and meanwhile he will come." So she went and poured out the rice, and found the mouse dead in the pot. "Ah! poor mouse! Oh! my mouse! What shall I do now? Oh! poor me!" And she began to utter a loud lamentation. Then the table began to go around the room, the sideboard to throw down the plates, the door to lock and unlock itself, the fountain to dry up, the mistress to drag herself along the ground, and the master threw himself from the balcony and broke his neck. "And all this arose from the death of this mouse."

The version from the Marches (Gianandrea, p. 11) resembles the above very closely; the conclusion is as follows: "The mouse, the master of this castle, is dead; the sausage weeps, the broom sweeps, the door opens and shuts, the cart runs, the tree throws off its leaves, the bird plucks out its feathers, the servant breaks her pitcher," etc.

The version from Milan (Nov. fior. p. 552) resembles the one from Venice. Instead of the mouse and the sausage we have the big mouse and the little mouse. In the version from Leghorn (Papanti, p. 19) called "Vezzino and Lady Sausage," [Vezzino e Madonna Salciccia. Vezzino is the dim. of vezzo, delight, pastime] the actors are Lady Sausage and her son Vezzino, who falls into the pot on the fire while his mother is at mass. The rest of the story does not differ materially from the above versions.